Ocean na koncu drogi

Rigidkovrila, 216 paĝoj

Eldonita je 21-a de majo 2013 de MAG.

ISBN:
978-83-7480-386-1
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4 steloj (2 recenzoj)

A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.

Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly …

36 eldonoj

Fantastic escapism

5 steloj

Much like Stardust, also by Neil Gaiman, The Ocean At The End Of The Lane is a traditional-style fairytale for adults and I thought it was absolutely wonderful. The story flows perfectly with vivid descriptions and larger than life characters. How does Gaiman manage to maintain such inventiveness while also telling fabulous stories? The characters are perfect for their situations I loved the Hempstocks and could picture Ursula in great detail. I had already read other reviews so knew that this is more a novella than a full-length novel and I think it's just about the right length for the story being told although I would happily have spent much longer within this book. As it is short though, I devoured all this fantastic escapism in a single evening.

Review of 'The Ocean at the End of the Lane' on 'Goodreads'

2 steloj

This was like reading Neverwhere again. Except the main character is a child not 30ish. And I'm 30 odd, not a child.

It pretty much hits all the beats of Gaiman story, but here the structure creaks and groans. He mixes Coraline with Neverwhere, with American Gods, all the elements are there, and none of them feel original, or interesting. The quirky mystery of the Hempstocks was just annoying rather than alluring.

The main character has no agency, he just gets thrown from event to event, and his big heroic moment has him literally sitting still for hours.

No, I didn't like this at all. It's so bad that it may have tainted the earlier, better Gaiman stories, and that makes me kinda sad...