Moi qui n'ai pas connu les hommes.

I Who Have Never Known Men is a disturbingly haunting story. A woman recounts her life to us although, from her earliest memories until the time she finds pen, paper and the inclination to write, she has no idea where she is or why she is there. As readers, we have no idea either. We are told of her immediate surroundings - of the cage and the other women locked inside it - in detail. We learn of the deprivations of their daily lives and of the silent guards forever pacing up and down. We know that the women originally lived in a society like ours because they remember it, but where the girl came from, nobody knows. Are they all caged for their own protection or as a punishment? Is there anyone else? Anywhere?

Harpman's writing is perfect for this novel. Her skill in being able to tell an utterly compelling story while leaving out practically all the background information is genius! In the hands of a lesser author I would no doubt be bemoaning gaping plot holes or inconsistent information, but here our narrator's questioning of her circumstances exactly reflected my questioning and drew me towards her rather than pushing me away. At several points I paused to put myself into her position. How would I react?

I Who Have Never Known Men is all about our inner lives as women, how we find a purpose for ourselves and what we can achieve when we need to. I would not have been surprised if this novel had been written immediately post-war. I felt it had that sense about it - of escaping extreme trauma, of realising that survival isn't the end, it isn't enough. The dystopian emptiness of this land is terrifying, especially as the women become fewer in number, and its portrayal is also extremely timely. The current rate of species extinction on Earth means Harpman's imagined desolation might not be so far away after all.