Stephanie Jane recenzis Isolde de Brian Karetnyk
Deserves to be a classic
5 steloj
First published in 1929, Irina Odoevtseva's then-shocking novel, Isolde, was republished by Pushkin Press in a new English translation this summer and I am thrilled to have had the chance to read this book. I loved the story which I thought felt very fresh and modern in its style even while it is also absolutely of its time. Odoevtseva was a Russian-Latvian emigrant exiled in France - just like her fictional Liza - and this sense of being apart from one's homeland is one of the major themes of the book. Odoevtseva also explores the shallow callousness of teenagers through the exploits of Liza and her elder brother Nikolai who are frequently bored, but able to cadge money and then left, fatefully, to their own devices. I could see elements of a French-style The Great Gatsby mixed up with Rebel Without A Cause!
I loved the characters of Liza and …
First published in 1929, Irina Odoevtseva's then-shocking novel, Isolde, was republished by Pushkin Press in a new English translation this summer and I am thrilled to have had the chance to read this book. I loved the story which I thought felt very fresh and modern in its style even while it is also absolutely of its time. Odoevtseva was a Russian-Latvian emigrant exiled in France - just like her fictional Liza - and this sense of being apart from one's homeland is one of the major themes of the book. Odoevtseva also explores the shallow callousness of teenagers through the exploits of Liza and her elder brother Nikolai who are frequently bored, but able to cadge money and then left, fatefully, to their own devices. I could see elements of a French-style The Great Gatsby mixed up with Rebel Without A Cause!
I loved the characters of Liza and of her mother, Natasha, even though neither are actually particularly likeable characters. Liza is in her mid-teens and flips between precocious childishness and mimicking adult behaviour in a way which felt authentic. She is desperate for parental love and guidance, but Natasha cares only for herself and her own romantic entanglements, even going so far as to insist her children are orphaned cousins. Natasha's neglect forces aspect of adulthood onto her children way before they are mature enough to cope. I didn't think the male character portrayals were as fully developed, perhaps with the exception of gullible Bunny, but that made a refreshing change!
Odoevtseva caused outrage with Isolde in the late 1920s and I could easily see why, although the shock effect is muted when seen by present-day standards. She never veers into graphic description though and I appreciated the use of Liza's naivete which allows readers to understand the dark actions being carried out around the girl, while she herself is only belatedly aware. Isolde would certainly be suitable for New Adult audience and I hope this new translation rekindles popularity for the story. In my eyes, Isolde deserves to be a classic.